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03569cam a2200529Ii 4500 |
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koha001010032 |
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OCoLC |
| 005 |
20231122155031.0 |
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m d |
| 007 |
cr cnu---unuuu |
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190718s2019 njua ob 001 0 eng d |
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|b eng
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|a 9780691189840
|q electronic book
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|a 0691189846
|q electronic book
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|z 9780691158914
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|a NX180.S6
|b L46 2019
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|2 bisacsh
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| 072 |
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|a SOC
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| 072 |
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|a ART
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| 072 |
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|a HIS
|x 054000
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| 082 |
0 |
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|a 700.1/030973
|2 23
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| 049 |
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|a MAIN
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1 |
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|a Lena, Jennifer C.,
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| 245 |
1 |
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|a Entitled
|b discriminating tastes and the expansion of the arts
|c Jennifer C. Lena.
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3 |
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|a Discriminating tastes and the expansion of the arts
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| 264 |
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1 |
|a Princeton, New Jersey
|b Princeton University Press,
|c [2019]
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| 300 |
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|a 1 online resource (xiv, 231 pages)
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| 504 |
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|a Includes bibliographical references and index.
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|a Cover; Title Page; Copyright Page; Contents; Preface; Acknowledgments; 1 The Invention of American Art, 1825-1945; Museums and Symphony Orchestras; Rationalizing Governance; The Second Wave: Ballet, Modern Dance, Theater, and Opera; Early Life Exposure; What Is an "American Art"?; Heading into the Great Depression; 2 The WPA and the Opening of the American Arts; The WPA's Impact; A Cultural Democracy; The Long Arm of WPA Influence: Artists, Organizations, Administrators; Conclusion; 3 The Museum of Primitive Art, 1940-1982; Nelson Rockefeller, Art Collector
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| 505 |
8 |
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|a Primitive and Modern: Frontiers of Legitimacy in the MidcenturyInventing the Field of Primitive Art; Influencing the Postcolonial Art World; Move to the Met; Primitive Art and Artistic Legitimation; Conclusion; 4 Opportunity Structures; Economic, Political, and Technological Change; Changes to Regulations; Changes within Arts Nonprofits; Changes to Funding; Conclusion; 5 Expansion: 1900-2000; Building a Model of Aesthetic Legitimation; Conclusion; 6 Cultural Appropriation; Cosmopolitanism; Slumming; Monet's Kimono; Chinatown Plaid; Conclusion; 7 Conclusion
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| 505 |
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|a Twentieth-Century American Artistic Legitimation, in BriefTrajectories; Aesthetic Continuities across Legitimizing Fields; Alliances with Legitimate Fields; People Power; Appropriation from Outside; Never Art: Kitsch; Partial Legitimation: Designer Toys; Appendix: Methodological Appendix; Notes; Works Cited; Index
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| 520 |
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|a "This book examines the process by which the American arts expanded, over the course of more than a century, to include not just "classical" arts like opera and portraiture, but forms of folk, vernacular, and popular culture"--
|c Provided by publisher.
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|a Description based on online resource; title from digital title page (viewed on August 07, 2019).
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| 651 |
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|a United States.
|2 fast
|0 (OCoLC)fst01204155
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| 653 |
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|a Arts and society
|z United States.
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| 653 |
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0 |
|a Art and popular culture
|z United States.
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| 653 |
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0 |
|a Art, American.
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| 653 |
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7 |
|a Art, American.
|2 fast
|0 (OCoLC)fst00815895
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| 653 |
|
7 |
|a Art and popular culture.
|2 fast
|0 (OCoLC)fst00815422
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| 653 |
|
7 |
|a Arts and society.
|2 fast
|0 (OCoLC)fst00817856
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| 653 |
|
7 |
|a SOCIAL SCIENCE / Sociology / General
|2 bisacsh
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| 655 |
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4 |
|a EBSCO eBooks
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| 856 |
4 |
0 |
|u https://www.lib.tsu.ru/mminfo/2023/EBSCO/2043372.pdf
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| 999 |
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|c 1010032
|d 1010032
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